The first is choreography. The story of the dance is about the dance.”
How choreography works?
It’s not your idea. You create an idea from the choreographer’s point of view. You give him his words, and then you let him tell the story for you. You see the dance and you make the decisions. You bring ideas and values to the scene and you see the choreographer’s way of creating something out of the basic elements that you’ve chosen or the choreographer’s idea. That’s it.
This is probably the hardest part of an audience for a dancer. When you go to a dance and you come in with your idea, you can’t imagine what it would be like to dance that move, and you have no idea how it will go and no idea how you will move in line with it. That’s the real trick, that’s one of the things that the most skilled dancers do and one of the reasons for people who want to learn dance and are interested in dance, but don’t know how to dance, do not become a professional dancer.
To be trained in dance requires a long time and preparation for it. There has to be a lot of knowledge, a lot of preparation to be able to learn. And there’s a lot of training for it to work. And to get to the point that the training is like that is so, so, so hard. So a lot of dancers and all the other people who learn at this level have this fear that maybe they’re not going to be able to get up there, that maybe they’re not going to be able to come up there and be able to do what they need to do, and maybe, just maybe, they don’t have the experience or the tools to get to that place, that they just have to start again because, hey, it’s an experience I’m going to take with my whole body. It’s not going to be a choreographed walk that it’s going to be a totally untrained process of just walking.
A lot of people are surprised when we say, “Yeah, you can learn the steps,” “Oh yeah, you can.” Because they’re so new at it, they start out the same way and they never, not even once, actually get to walk. They just go in the chair and they just walk. The real test comes when they do get up on the platform and they have to move. So it’s a very, very
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