Most courses are not free. There is a fee associated with using our platform for courses like Introduction to Digital Design for Web, Web 2.0 (SAS/CSS) – Part 1, Introduction to CSS – Part 2. In fact, our courses may cost more if you plan to purchase additional courses in the same subject (e.g. Part 3).
Do I have to buy the course in bulk?
When taking a course, you’ll need to purchase it individually. That’s because you’re required to purchase the course at a certain price (usually $19.99 for the first course). If you’re interested in purchasing multiple courses for a student discount, it’s a good idea to purchase all of the courses at once and save $5 by taking each at the same time. Alternatively, you can purchase multiple packages of six, seven or eight courses at once. The bulk discount is more of a “do it yourself” option.
How much does it cost to take a course?
The course cost varies depending on how long you spend viewing the course. But generally, it’s around $19.99 (or less, if the course description is worth reading).
How can I get a discount?
Our pricing strategy is to provide access directly to our students and to encourage them to start learning on our platform. That’s why we offer discounts to multiple package purchases within a package. For example, with eight students in Package A, the discounted rate is $7.99.
You can also buy two courses at the same time; one as a discounted bundle price and the other as a standard subscription. For a $10 discount (add a new course), you’d save $2 ($40 total).
Hollywood is no longer a small town. Today, it’s a global economy, with the world’s biggest film companies and biggest filmmakers. We’re no longer stuck in a handful of independent theaters, waiting to hear the latest news on the latest film. We follow films on screens in our living rooms and on our laptops — it’s no longer the sole domain of Hollywood movie houses. It’s an exciting time to be an independent film fan. Hollywood is a more dynamic place that it has ever been, and the days when it used to look at film like the most glamorous piece of junk they could sell to Hollywood studios are over. The new landscape is one of competition instead of cooperation. The films we care most about aren’t the ones that we’ve grown
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